Cantes Malditos is one of those geographical accidents that end up drawing a new and fascinating landscape on the map of the darkest flamenco. The project was born from an unexpected no-show and a neighborly call: when the cantaor Antonio Fernández found himself without a guitarist in the middle of a recording, producer José Sánchez summoned Pedro de Dios (the mastermind behind Guadalupe Plata's swamp blues) to save the day. What began as an emergency rescue mutated into a chemical collision between two worlds that needed each other without knowing it. Under the name Cantes Malditos, the duo dives into the depths of the seguiriya, the zambra, and the petenera, paying homage to myths like La Niña de los Peines from a raw and extraordinarily evocative perspective. It's not just fusion; it is an archaeological excavation in search of the shared darkness between the blues and the most ancestral quejío.

Un exorcismo sonoro.